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・ Women in the Caribbean
・ Women in the Cocos (Keeling) Islands
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・ Women in the Cook Islands
・ Women in the Czech Republic
・ Women in the Democratic Republic of the Congo
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・ Women in the Enlightenment
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Women in the Garden
・ Women in the Guru Granth Sahib
・ Women in the Hebrew Bible
・ Women in the House of Commons of the United Kingdom
・ Women in the Israel Defense Forces
・ Women in the Maldives
・ Women in the Marshall Islands
・ Women in the Middle Ages
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・ Women in the Mirror
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・ Women in the New South Wales Legislative Assembly


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Women in the Garden : ウィキペディア英語版
Women in the Garden

''Women in the Garden'' (French: ''Femmes au jardin'') is an oil painting begun in 1866 by French artist Claude Monet when he was 26. It is a large work painted ''en plein air''; the size of the canvas necessitated Monet painting its upper half with the canvas lowered into a trench he had dug, so that he could maintain a single point of view for the entire work. The setting is the garden of a property he was renting. His companion Camille posed for the figures. Monet finished the work indoors, and used magazine illustrations to render fashionable clothing.
Monet at this time was early in his career, experimenting with method and subject matter. His earlier paintings were successful at Paris Salons, but ''Women in the Garden'' was rejected in 1867 on the grounds of subject and narrative weakness. The Salon was also troubled by Monet's heavy brushstrokes, a style which would, of course, become one of the hallmarks of Impressionism. A judge commented, "Too many young people think of nothing but continuing in this abominable direction. It is high time to protect them and save art!"〔Quoted in . Accessed March 3, 2010.〕 The painting was purchased by fellow artist Frédéric Bazille to help support Monet at a time when he had no money.
Although the Musée d'Orsay, the painting's owner, comments that "Monet has skilfully rendered the white of the dresses, anchoring them firmly in the structure of the composition", Christoph Heinrich, author of a Monet biography, notes how posterity has found the painting lacking. In this view, the figures appear poorly integrated into the scene, with the woman at right "gliding across the ground as if she had a trolley concealed beneath her dress".〔Christoph Heinrich (2000). ''Claude Monet, 1840–1926''. Taschen; p. 17. ISBN 3-8228-5972-9〕 The painting's treatment of light and shadow is lauded, however, and in this respect the work may have shown Monet where his artistic path lay.〔
== References ==


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